Questions? Talk to Our Docent

docentcardAlmost three weeks have passed since the opening of No Legacy || Literatura Electrónica, and while we wait for the second phase to be in place (we are working on having a website component that will expand the visitor’s experience via QR codes, by offering further curatorial and catalogue information), I am happy to announce that we have a new student docent to show you around the show!

SamLabelSam Hunnicutt will be on site at the gallery every Monday, Wednesday, Friday, Saturday and Sunday, from 2 to 3pm, ready to answer any questions you may have, or to guide you around the installations in our collection–which include works like Nick Montfort’s Taroko Gorge, Jorge Carrión’s Crónica de viaje, Eugenio Tisselli’s The 27th/El 27, Giselle Beiguelman’s O Livro depois do Livro, Amaranth Borsuk and Brad Bouse’s Between Page and Screen, and Judy Malloy’s its name was Penelope, among many more!

No Legacy || Literatura Electrónica runs through August, 2016, and is located at the Brown Gallery in Doe Library (UC Berkeley campus). Come visit! Check lib.berkeley.edu for hours.

concretoons
No Legacy || Literatura Electrónica. On photo: Concretoons by Benjamín Moreno, on top of No Legacy’s custom display inspired by Ana María Uribe’s Anipoemas
el 27
No Legacy || Literatura Electrónica. On photo: Poemas no meio do caminho by Rui Torres (left), Crónica de viaje by Jorge Carrión (center), and The 27th/El 27 by Eugenio Tisselli (right).
Olivro
No Legacy || Literatura Electrónica. On photo: Giselle Beiguelman’s O Livro depois do Livro/ The Book after the Book, nested in No Legacy’s custom made spiral bookcase
ethericocean,penelope,VG
No Legacy || Literatura Electrónica. On photo: Belén Gache’s WordToys & J.R Carpenter’s Etheric Ocean (left), Judy Malloy’s it’s name was Penelope (center) and Stuart Moulthrop’s Victory Garden (right), all under the guiding principles of No Legacy’s Aleph